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This has benefits and drawbacks: while it keeps the space free of ads and focused on hobbyists who truly want to be there, it also limits dance instructors from getting paid for their classes, for example. The VRChat app costs $10 a month, but there’s no buying and selling inside of the game. “VR is still a core part of our lives,” Hunting says. And it felt like a strength and an excitement to help them get there.”Įven when Hunting and Jenny are in the same room, they still don their VR headsets to take dance classes, meet up with old friends, and explore different new worlds. “Before meeting the person, you know the person that they want to be. “Falling in love in VR, it can be very special to see someone for their expression of themselves,” Hunting says. When I call Hunting for this interview, he’s staying with Jenny in Los Angeles she pops into the room at one point to remove a file from her computer. “Making friends here is sometimes what saves people’s lives or is what gets them up out of bed in the morning,” she says in the film.Īfter Hunting finished the documentary, he says that he and Jenny “very quickly realized that we didn’t want to stop spending time with each other.” The pair are now in a relationship. She delivers poignant monologues about how her VRChat community helped pull her out of mental health crises and taught her new skills. Jenny is perhaps the central protagonist of We Met in Virtual Reality. One of the people that Hunting met in VRChat was a sign-language teacher named Jenny, who appears as a glowing anime-style avatar with bubblegum-pink hair. You’re not worried about how you look or how your body might be positioned in that moment. You’re speaking to someone personality-to-personality before anything else. “You’re immediately on a wave of freedom, fluidity, and playfulness. “Meeting someone in VR is much more playful than meeting in the real world,” Hunting says. Hunting immediately felt comfortable among VRChat users and was soon spending over 15 hours a week inside the app.

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To film their activity, Hunting paid $9 to upgrade VRChat’s standard camera function to something more high-end-the equivalent of a filmmaker’s fancy rig.

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Most of the people Hunting met in VRChat used full body tracking equipment, or small VR sensors that attach to your ankles, elbows, and hips, allowing your corresponding avatar to gesticulate, dance, and exercise. He met VR comedians, salsa instructors, and fashion designers. While at home in a small town 40 miles outside of London, Hunting met a hot dog, a space bear, and an anime bodybuilder with a dragon tail. “My documentary film brain lit up, seeing all of these people, learning their stories, and seeing their creativity,” he says. Already an avid gamer, Hunting entered VRChat while in film school four years ago and was immediately intrigued by the energy emanating out of its participants.

We Met in Virtual Reality is Hunting’s full-length debut.

“I’ve found a family through this process.” Falling in love with virtual reality “In VR, I felt the most present I’ve ever felt,” he says. For him, virtual reality is not a dystopian rabbit hole or a marketing gimmick but a fundamental, seamless aspect of his 21st century life. While shooting the film, Hunting, now 23, found his footing as a filmmaker, forged close friendships, and even fell in love with his now-significant other. And Hunting himself is a living testament to how virtual reality can change lives. But the film does offer a compelling look at the playfulness and joy people are already finding in virtual worlds. Neither Hunting nor his film have the answer to all of those worries.